Foglifter Darlings : Foglifter Press Interview with Jake Skeets

by Dec 22, 2020Interviews

As part of celebrating Foglifter’s recent Pushcart nominees, we interviewed the writers! Next is Jake Skeets, published in Volume 5 Issue 2!

What piece of art—literary or otherwise—has uplifted you during this tumultuous year? 

I think Zoom readings kept me tethered to the literary world. I was able to access so many different kinds of readings. It was very uplifting to see communities being built in a virtual and unknown space. Native communities often create social hubs in unknown spaces as a means for survival. Seeing these hubs form was very nurturing because it showed that even in the most pressing times people are still able to come together for art.



What writing habits/rituals are close to your heart?

My writing habits & rituals revolve around the idea of experiment and labor. I follow Levertov’s notion of inscape and reflection. There are these moments that happen in our lives as poets and artists and creators that drive us to make. But instead of writing, I like to tend to these moments and investigate them. It is only after a constellation, as Levertov puts it, of these moments that I sit down to write. And once I do, the lab experiments can start where I try different techniques to get something onto the page.



Who (or what) guides your writing? 

See my answer above. I think there are moments in our daily existence that cause us to pause and take notice. I think these moments are driven by a divine nature of some kind. I can’t define that energy, however. I know it happens, though. This may sound like very new-age spiritual nonsense, but I truly believe that there are these small or big moments where we are forced to take pause. I’m sure people are familiar with these moments and define them their own way. They happen. They must happen because without them art would not be possible.  



What do you believe is the role of the poet/writer in this cultural climate? 

The poet Haesong Kwon said to me once that in the face of conquest and genocide we have no choice but poetry. Poetry is the only way we can speak resistance in a language meant to destroy us. In the words of Toni Morrison, “we do language.” So the job of the poet is to language the divine, the daily, the droll, the desire, the dead, and the dawn.



Beyond writing, how have you been finding joy or rest this year? Do you have a favorite quarantine activity? 

I’ve been working from home since March. I have watched so many television shows and rearranged my furniture so many times. I did enroll in a Diné weaving course so I can finally learn something that awed me for so many years. I did joy in finally learning and actually completing rugs. Weaving actually helped me through that stressful election week and I’m finding more and more solace in the craft.



What advice do you have for emerging writers?

Be careful not to deify poets and writers you admire.

All poems are drafts.

There are a variety of ways to be a poet.

Learn how to observe the world. 

It is perfectly fine to not write every day.

Read as much as you can (and I don’t mean just the canon and I don’t mean just books).

Feel free to ignore my advice if it doesn’t work for you.



Jake Skeets is Black Streak Wood, born for Water’s Edge. He is Diné from Vanderwagen, New Mexico. He is the author of Eyes Bottle Dark with a Mouthful of Flowers, a National Poetry Series-winning collection of poems. He holds an MFA in poetry from the Institute of American Indian Arts. Skeets is a winner of the 2018 Discovery/ Boston Review Poetry Contest and has been nominated for a Pushcart Prize. Skeets edits an online publication called Cloudthroat and organizes a poetry salon and reading series called Pollentongue, based in the Southwest. He is a member of Saad Bee Hózhó: A Diné Writers’ Collective and currently teaches at Diné College in Tsaile, Arizona.

Sim Kern Interview on Real Sugar is Hard to Find

Sim Kern’s collection of short stories Real Sugar is Hard to Find is an unflinching look at the potential future(s) of climate change. With genres both the contemporary and the fantastical taking on topics from food shortages to reproductive rights to hazardous air...

from Henry Ford’s Sociological Department


fist of wind: A poetry chapbook by nefertiti asanti

Join us for the book launch here with Museum of the African Diaspora (MoAD) and Foglifter!     Foglifter Press is proud to announce fist of wind, a lyrical testimony that centers the Black body as a site of healing and transformation. This chapbook/collection of...

On Yearning or I Am at Home Eating Chocolate, Thinking About Holland Taylor and Sarah Paulson

            What else am I supposed to do? It’s too cold to walk. It’s too early to make dinner. I can’t feed the dog any more treats, as much as she would enjoy that. She had bloodwork taken at the vet this morning. I’d like her to forgive us and associate me...

On Never Leaving San Francisco

            Sal Moon Boots with the 415 area code was trying hard to be weird and woke. That’s why she adopted a stupid new name. That’s why she referred to her straight boyfriend as her “partner.” I didn’t mind being called a gentrifier in New Orleans by another...
Cover for Foglifter


Foglifter is a biannual compendium of the most dynamic, urgent queer writing today.

Wow! We had the best time at this past Sunday's reading with the San Francisco Public Library Thank you so much to our fantastic readers—@emo.ocean (Lio Min), @real_james_cagney, @charliejaneanders, and Lydia Elias—for sharing their incredible writing and starting a warm dialogue on the importance of queer spaces.We'd also like to give a huge shoutout to the amazing folks who helped make our event as accessible as possible! Thank you to our ASL interpreters Heidi Woelbling and Benny Llamas, and to our live-captioner Jen Schuck. We're so grateful for your hard work!Keep an eye out for a recording of this event on the SFPL Youtube page! We'll announce when it's ready. Until then, please go follow and support these writers and their work!Image Description: A screenshot of a Zoom room with Lio Min, James Cagney, Lydia Elias, and Charlie Jane Anders. They are all smiling and listening to each other. There is some closed captioning towards the bottom, that says "I'm really struck by how much vulnerability you all shared. As a writer, I'm curious how you know when you're ready to put a story to the page?" End description. ... See MoreSee Less
View on Facebook
Our virtual reading with the San Francisco Public Library is tomorrow! Join us at 2PM PT for Generational Treasures: An Afternoon of Queer and Trans Storytelling.This fantastic event will feature James Cagney, Lio Min, Charlie Jane Anders, and Lydia Elias! RSVP here: is excited to collaborate with @sfpubliclibrary for Generational Treasures: An Afternoon of Queer and Trans Storytelling! Join us on Sunday, September 25th at 2PM PT for a virtual reading with @charliejaneanders, @emo.ocean, @real_james_cagney, Lydia Elias. In mainstream society, when we hear the word "generations" we may immediately presume biological progeniture. In the Queer/trans community, however, generations can refer to chosen family, drag mothers, drag dads, ball houses, aesthetic legacies, just to name a few. In either context, generations suggest an era. Foglifter has invited four writers—Charlie Jane Anders, James Cagney, Lydia Elias, and Lio Min—who span generations to illustrate their "era" and the power of queer/trans literature. Live-captioning and ASL interpretation will be provided. RSVP here: you then! Image Description: This is an invitation for the reading, “Generational Treasures: An Afternoon of Queer and Trans Storytelling,” presented by the James C. Hormel LGBTQIA Center & Foglifter Journal and Press. This free and virtual reading will take place on Sunday, September 25th at 2PM PT. The photos of James Cagney, Lio Min, Charlie Jane Anders, and Lydia Elias are in the middle of the graphic. The SFPL and Foglifter logos are on the bottom. This background has a colorful gradient of pastel hues and various shapes and swirls, with a square containing all of the text and photos in the middle. ... See MoreSee Less
View on Facebook

Submit to Foglifter

Foglifter submission is now closed, but we are still accepting Cover Art —and we are now a paid market!

Support Foglifter

Help us continue providing a platform for intersectional queer and trans writing. Donate today!

Follow foglifter
on twitter

There's just ONE WEEK until IT CAME FROM THE CLOSET is available wherever books are sold!!! Have you ordered your copy yet? @joevallese @homohorror

WWS Around Town: This Saturday join this workshop with traci kato-kiriyama (@traciakemi) at @BBLitArts from 12pm-4pm.

Pin It on Pinterest

Share This