“I Like My Body More When it is Bruised” by Megan Ellis

by Dec 24, 2020Foglifter Features, Volume Four

Megan Ellis is a writer, editor, and graphic designer in Minneapolis, Minnesota. Her work appears in Seneca Review, Entropy, and elsewhere. She has also been a finalist in nonfiction contests from Redivider, Passages North, and Crab Orchard Review.

from Henry Ford’s Sociological Department

01) A REMIXED YEARBOOK FOR FORD EMPLOYEES FROM THE EARLY 1990S. THE COLLAGE READS: “TYPICAL CASE OF POVERTY, RELIEVED BY THE HIRING OF THE UNEMPLOYED MAN BY THE COMPANY. I HEARD REPORT. HIS COUNTRY HAS CALLED HIM. MANX, CANADIAN, AMERICAN, PORTO RICAN. TYPICAL CASE OF...

fist of wind: A poetry chapbook by nefertiti asanti

Join us for the book launch here with Museum of the African Diaspora (MoAD) and Foglifter!     Foglifter Press is proud to announce fist of wind, a lyrical testimony that centers the Black body as a site of healing and transformation. This chapbook/collection of...

On Yearning or I Am at Home Eating Chocolate, Thinking About Holland Taylor and Sarah Paulson

            What else am I supposed to do? It’s too cold to walk. It’s too early to make dinner. I can’t feed the dog any more treats, as much as she would enjoy that. She had bloodwork taken at the vet this morning. I’d like her to forgive us and associate me...

On Never Leaving San Francisco

            Sal Moon Boots with the 415 area code was trying hard to be weird and woke. That’s why she adopted a stupid new name. That’s why she referred to her straight boyfriend as her “partner.” I didn’t mind being called a gentrifier in New Orleans by another...

Culture Control, and the Fight for San Francisco: Tina Horn Interviews Dorian Katz

Last fall, the West SOMA Community Benefits Board (WSCBD) censored public art for the Big Belly trash can project in the SOMA neighborhood. The artists (Justin Hall, Axeish Guy, James Hion and Dorian Katz) were commissioned because WSCBD reached out to the Leather...
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