fist of wind by nefertiti asanti is a lyrical testimony that centers the Black body as a site of healing and transformation. This chapbook/collection of poetry explores the lived experience of menstruation marked by pain and the liminal existence of Black folk as magical and mortal. fist of wind draws from magical realism to ask: If pain is information, what does individual and collective Black pain tell us about our world and about ourselves? How do we embody healing in this lifetime and beyond?

New anthology from Foglifter Press explores the complex and varied meanings of ‘home’ through poetry and prose from LGBTQ+ authors around the country, informed by the need and desire to create ‘chosen families’ and how those can be disrupted and inspired by gentrification and displacement.

In Still Here San Francisco: an Anthology of Queer and Trans People Raised in San Francisco, survivors of displacement and other results of gentrification and oppression find their voice and tell stories of survival. Still Here San Francisco is an annual performance and cultural documentation project that reveals the experiences of Queer/LGBTQI2S+ individuals raised in San Francisco and still living in San Francisco/Bay Area. Each year, the annual show is one of the most popular parts of the National Queer Arts Festival in June. 

Flower of Ancestry, named for its cover art by Shannon Prasad, features work by 20 creative writing and printmaking students: al aguas, Brea Weinreb, Destiny Evans, Fernando Miguel, Gato Gucumatz, Isabel Treviño, Keira, Kimiko Goeller, Lia Dun, madhvi trivedi-pathak, Marina Claveria, Mateo Sánchez Morales, Maya Salcido, Nidhi Parixit Velani, Queen Sen Sen, Ruby Harrison-Clay, Satän, Shannon Prasad, Shō Nakashima, and Takara Campbell, with creative writing director Celeste Chan and Queer Ancestors Project artistic director Katie Gilmartin.